SAW 7 será producida en 3D

En collider.com publican un extracto de una entrevista realizada a Mark Burg, productor y a Marcus Dunstan, coguionista de SAW VI, en la que nos adelantan algunas de las futuras entregas de la franquicia que lleva activa desde 2004, y de la que se nos ha ofrecido, desde entonces, una nueva entrega cada Halloween.

En esta entrevista, se les pregunta directamente “Hay planes hacia las 3D en el futuro”. A lo que Mark Burg contesta, rotundamente: “Para Saw 7. Es en 3D. Definitivamente

Copio el texto en inglés en el artículo, pero podeis usar el enlace [Traductor], bajo el título del mismo, para traducir el texto a vuestro idioma preferido:

Any plans to go 3-D, in the future?

Burg: For Saw 7. It’s 3-D. Absolutely.

Will that still stay within the same budget?

Burg: No. 3-D costs more money. It’s a longer prep, a longer shoot, a longer post, more expensive cameras. It costs more to shoot and it costs more to market ’cause you have to buy the glasses. It’s an extra $2 million in marketing, just because you have to buy the glasses. But, it’s worth it. I think Saw itself, just the way the films are shot, lends itself to being a 3-D movie.

We saw a test that somebody did, that was a minute of Saw, that they just transferred from 2-D to 3-D, and it looked great. So, we were like, “All right, screw it. Let’s do it!” But, we’re not going to transfer it. We’re actually shooting it in 3-D. A lot of people just do the 2-D to 3-D transfer, but we want to be able to build the sets in a way that takes advantage of depth. We’re going to design traps to come at you. The pendulum trap that opened the last Saw movie would have been great in 3-D.

Have you determined what way the 3-D will be used? Will it be more about the depth of the film, or will you use it similarly to My Bloody Valentine 3-D?

Burg: We’re planning a lot of the movie to be through the victim’s eyes, seeing stuff as it’s coming towards them, in their point-of-view. But, I think the audience wants a couple My Bloody Valentine type moments, where the gun comes into the audience.

Now that Saw 4 and 5 really cemented the idea that this is a series that is going to thrive, live and drive forward off of the flashbacks and the inter-connectivity of everything, how far in advance do you get to plan?

Dunstan: When (co-writer) Patrick [Melton] and I had an opportunity to work in this series, (producers) Mark [Burg], Oren [Koules], Jason Constantine and Peter Block had an end-game in mind and that is there. Piece by piece, if we’re so fortunate as to continue telling the story, there is a way to get there.

Burg: We’re definitely making Saw 7. We’re starting in January, and it’s going to be in 3-D. The storyline that we started in Saw 5 and carry through Saw 6, ends at Saw 8. Where it goes beyond that, I couldn’t tell you. In my mind and in Oren’s mind, we have the story threaded through Saw 8. After that, I can’t tell you that the franchise will continue.

Si lo preferís, podeis ver el texto íntegro aquí.

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